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Wolf Heidecker is a freelance Producer and Director  and business partner with

Actor/Director Christopher Bunworth                                              LARRIKIN ENSEMBLE THEATRE

Writer/Artistic Director Graham Pitts                                        TOPARTPRODUCTIONS

Writer Hoa Pham                                                                          HUNGRY GHOSTS PRODUCTIONS

Arts Cluster Chris Bunworth, Jill Johanson, Erin Roche

 

In 1997 Wolf came to Australia with more than 25 years of experience as artistic director, Admin and PR-officer, Tour Manager, and Chief Executive Officer/General Manager with several German opera and theatre companies (e.g. State Theatre Nuremberg, Wuerttemberg County Theatre Esslingen, Bosch-Theatre Stuttgart, State Theatre Stuttgart, Osnabrueck Municipal Theatre Pty Ltd [CEO for eight years: The Municipal Theatres Osnabrueck Pty Ltd is the second largest of five theatres in the German State of Lower Saxony. Management of Opera, Operetta, Musical, Music-Theatre Choir, Ballet, Drama Theatre, Theatre for Young People, Symphony Orchestra, Set-Workshops (joiner, forge, painter, costumes etc.), total of 300 permanent full time employees and 400 casual employees; annual productions: 26, performances approximately: 600, venues: 3 ]

 

Wolf is a trained performing artist/director, Business Economist  [Dip.BA (AQF/FRG)], Behavioural and Communications Analyst/Psychotherapist (IAIAT), and Civil Celebrant [Dip.MC, Dip.FC] .

Wolf has been working as Orchestra Manager in Brisbane, and Business Director for Australia's renowned Flying Fruit Fly Circus in Albury-Wodonga before moving to Werribee where he was manager of the Wyndham Cultural Centre. Today he manages his Arts-/ Business- and Management Consultancy, is managing the not-for-profit community organization Many Moons Group Inc and is directing and producing with Larrikin Ensemble Theatre and TopArtProductions in Melbourne.

Wolf's directorial and/or producing credits include Cymbeline by W.Shakespeare (Co-production with Fontanel/Sydney, at 45downstairs/Melbourne), Haneef-The Interrogation by Graham Pitts (La Mama and regional Victoria), TRIO by Dina Ross (La Mama and regional Victoria, USA), The Australian Justice Supper by David Strangward (La Mama and Werribee), The Eight by Geoff Goode (Butterfly Club Melbourne and Druin), A Hole in the Ground by Janet Brown and Jo Ryan (La Mama and Werribee).

 

Currently Wolf is involved with the following productions:

Norm and Ahmed by Alex Buzo (La Mama Theatre, Faraday Street, Carlton -  Premiere: 05 August 2010) 

A

riveting dark comedy of suburban manners involving an Australian and an Asian who meet by accident one night and, innocuously enough, begin talking. What follows is a bitingly sardonic analysis of Australian attitudes to race. It also says something with which we may have become too complacent or namby-pamby to deal with. Has anything changed?

“Nothing, however, can prepare you for the final moment in Norm and Ahmed – and the woman sitting three seats away from me almost leaping from her seat and screaming “No!”, was the entire measure of this electric night in the theatre. It is compulsory viewing. Go.

Geoffrey Williams, Stage Whispers”

 

Silence by Hoa Pham (VCE-Play List - La Mama Theatre, May/June 2010)

A play about the lives of three Vietnamese-Australian women. Reunited by a death anniversary they have to deal with family secrets and the spirits that haunt them from within.

“The play is full of humanity. It’s not necessarily a migrant story either; it’s truly a story about the human condition, about what we do when we’re forced to make difficult choices and how we live with the consequences.” “Naturalism and stylisation can work together...” Kate Herbert, Herald Sun

 

TRIO by Dina Ross (touring USA 2010)

TRIO explores the mysterious death of violin virtuoso, Karl Munch, who is found dead in his hotel room in Vienna under a cloud of sexual misadventure. Karl's life and the details surrounding his death are illuminated by the three men closest to him – Ben Goldstein (his New York agent), Peter Munch (his twin brother based in Melbourne) and Robbie O'Donnell (his British lover) – who try to make sense of Karl's life and genius, revealing their inner lives and personalities, which emerges into a richly vivid and complex psychological study.

“...Trio is intelligent, compelling theatre that demonstrates just how much can be achieved when good writers and good actors get together. Kerry Goldsworthy, Adelaide”. “...There has been no finer single performance in the Bakehouse Theatre's exciting season of new work than this. Everyone who cares about acting should go and see it - twice if they're drama' students. Ewart Shaw, Adelaide Advertiser”

 

Refugee Realities by Graham Pitts (Project with Oxfam Australia, Melbourne/Mildura/Horsham/Canberra June 2010)

Many Moons Group Inc and Oxfam Australia work together towards achieving the following objectives:

Educate a broad cross-section of the Australian public about the protection and assistance rights owed to all people experiencing humanitarian crisis, regardless of whom or where they are or how they are affected

Develop greater empathy, understanding and support for refugees in Australia, and strengthen public recognition and respect for refugee stories and experiences

Empower former refugees and enhance community and individual well-being by providing the means of self-expression and self-fulfilment in a common cause

Encourage community building by bridging the divide between schools and/or community groups and their social/community environment

Strengthen the sense of community by facilitating collaborative projects sharing common purposes, those of educating the general public and advocating the cause of refugees

Support active citizens to demand greater accountability towards meeting the protection and assistance rights of people in humanitarian crisis around the world, including resettled refugees and asylum seekers in Australia

.

 

Next event: City of Yarra - Refugee Week June 2011

 

see also:

"http://www.oxfam.org.au/"

 

 

Foxholes of the Mind by Bernard Clancy (La Mama Theatre, Courthouse, Carlton - Premiere: 05 November 2010, touring 2011/12)

A two-act drama which takes you on a roller-coaster ride with a Vietnam veteran and his wife 30 years after the war ... he and his mates are finally cracking under the strain of Post Traumatic Stress Disorder (PTSD). She's still treading on eggshells, but it’s not her feet which are bleeding, but her heart, maybe fatally.

“ ... does deal with an important legacy of Australia’s foreign policy and some contentious points are made very well. It is a fine effort by all concerned, its authenticity is above reproach...” Liza Dezfouli, Australian Stage Online

 

InSpiring Time by Graham Pitts (touring 2010/11)

An innovative lecture/cabaret/performance work for an audience of (apparent) volunteer teachers. It will create mayhem with the English Language and the rules of Theatre

. Performed by 25 mainly Chinese-Australians.

 

Daisy by Terry Mervin (Woodbin Theatre Geelong, 04 -15 May 2011)

‘Daisy’ is about a family in which the mother develops dementia. It sensitively and sometimes humorously addresses many of the practical and emotional issues confronting couples and children in this situation. It also challenges our view of the afflicted person. Are they simply a shell of the loved one we once knew? What is going on inside them?

 Latest news: www.entertainmentgeelong.com (subheading: HOT NEWS).

REVIEW  06 May 2011:

"Daisy" A play by Terry Mervin.

Reviewed by Adrian Sherlock.

Alzheimer's/dementia is not exactly the kind of subject most people would expect to make an entertaining play for the theatre, but with "Daisy" by Terry Mervin, it proves to be a rich source of drama, humour, pathos and even a bit of song. In fact everything one could wish for in a great play is to be found in Daisy. When writing about a meaningful subject like old age, the onset of Alzheimer's or dementia and the impact it has on the people involved, a writer would surely feel a sense of enormous duty and to his fullest credit, Terry Mervin has explored his topic thoroughly and dramatises all the angles. He also avoids becoming maudlin, preachy or overly sentimental, mixing plenty of unforced humour into the play to balance the undeniably moving dramatic power of the story. Director Wolf Heidecker adopts a highly elaborate and creative approach to bringing "Daisy" to life on the stage. In some ways, it is perhaps a little convoluted in its execution at times, but this is a mere quibble. Over all he keeps the pace moving along well and presents us with a well drilled and well chosen cast, who present the story effectively and at times, quite brilliantly.Daisy herself is played with utter believability by the wonderful Claudia Clark who is flawless as a woman slowly losing her way inside herself as Alzheimer's takes hold of her life. The play employs a clever and imaginative device to take us inside Daisy's world. Genevieve Giuffre plays a character called The Librarian, who is seen at the side of the stage rifling through the files of Daisy's mind, in the filing cabinet of her memories, searching for answers and information every time someone asks Daisy a question. This is a touching performance which adds enormous weight to the story. Peter Muir and Amber Hart are a superb double act as Daisy's son and daughter, Will and Petra, who regress to child like bickering as the stress of their mother's illness takes its toll on them. In one of the play's most emotionally charged moments, brother and sister confess how they've been behaving and make amends with each other. There's also an ensemble cast of players who make up the characters Daisy meets when she is put into a retirement home. Tina Rettke gives a sensitive portrayal of the lady who manages the home. Roz Romney, Nick Frcek, Lachlan Murphy and Jacqui Connor all give solid support, while Robert Trott steals the show at times with a vulnerable yet funny portrayal of fellow retiree Ben. But the standout performance of the show was that of Bryan Eaton as Daisy's husband, Jim. His desperation, his fear and powerlessness, his love and dedication to his bride and best friend of so many years is played with great sensitivity and conviction. Along with Claudia Clark, Bryan is the backbone of the whole production."Daisy" ends with an appearance by David O'Brien as a character called The Figure in White. Some might see him as an Angel or perhaps a Mr. Death figure. But needless to say, he brings the play to an end on a truly moving and powerful note.Everyone involved in Forget Me Not's production of "Daisy" can be proud of this show, it underlines the realities of Alzheimers while delivering a great evening of theatre. And in the end, the message of the play is made clear by Tina's character when she says "All they need is your love and kindess."

 Site UnSeen  by Graham Pitts and Robyn Szechtman

(Executive Producer/Production Manger for season at Melbourne Festival 2012)

Located in the suburb of St Kilda, on the iconic St Kilda Triangle site, Site Un Seen invites audiences to immerse themselves in a collective experience of homelessness. A purpose built performance space referencing temporary and de-mountable housing alternatives will act as a site for the creative imagination of audience, artists and communities.

Site Un Seen will be the voicing of the unvoiced, the sight of the unseen, the presentation of homelessness by and with homeless people for those without a home and, importantly, for those who do have a home, presently. It will subvert stereotypes and send a shiver of awareness up the spine of those who think complacently they will never be homeless. And it will do this not by preaching or patronising but by having people feel what it is to be homeless in ways that ensure they will never again ignore the homeless. People will move through a world of image, sound, text, movement, spoken word and architectural design that will open not only their eyes but their hearts and, thus, their minds

 

Just a note to say how terrific I thought SITE UNSEEN was this afternoon! It is everything you promised it would be and more - moving, funny, uncomfortable, eye-opening, intelligent, layered and so original. I am incredibly proud to have the production as part of the 2011 Melbourne Festival, and the Festival is privileged to be working with such a great group of artists and producers. It really is testimony to the talent and integrity of everyone involved that such a complex, pervasive, yet invisible' subject can be given life, debate and a resounding 'call to action', in such an engaging way.And I'm especially glad my team 'Taj Mahal' won the shelter-building contest! Please pass my congratulations and thanks on to the entire team. Brett Sheehy Artistic Director

Melbourne Festival

 

Audrey Hepburn and I Consider Our Assets  Musical by Gaylene Carbis/Geoffrey Main (2011/12)

The story of Liz O’Sullivan – growing up in the sixties in suburban Melbourne; brought up as if she’s the star in a Movie of the forties and fifties. Liz is surrounded: all the voices and eyes watching her, all the stories that tell her who she is and what she should be. Her movie-mad parents, aunts and uncles, offering visions of Liz that come straight from Hollywood; Liz’s merry-go-round of lovers, as she tries to find the Right Man; and the endless inner turmoil as Liz tries to unravel all the costumes and roles that have defined her. Now it is time for Liz to ‘do the seeing’: a funny, lyrical and challenging play about the value we place on appearances and how delving beneath the surface can unearth the unexpected.

 

OUR MAN IN BEIJING by Moni Lai Storz (Australasian Chinese Theatre, 11 Cole Street, Brighton Vic 3186;  18-20 and 25-27 March 2011)

A hilarious farce about a young Australian marketing manager on his first business trip to China. Will it be his last...?

Production details: www.ourmaninbeijing.com.au

The production has been invited to the 2012 Beijing Drama Festival.

 








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